by Juliet Bond
There are many reasons why novelists write – but they all have one thing in common: a need to create an alternative world.
John Fowles
There are many reasons why novelists write – but they all have one thing in common: a need to create an alternative world.
John Fowles
Most writers try to carve out a space for themselves. Virginia Woolf, for example, famously insisted that a woman needs money and a room of her own in order to create fiction. Ms. Woolf hid herself in a nearby shed on the property of Monk’s House when she wanted to write.
Virginia Woolf’s writing shed
Like Woolf, some may prefer one specific room, desk or corner while others may be flexible or even mobile. My favorite place to write is the living room in my in-law’s vacation house. I begin at five AM, before everyone wakes up. Then, if I’ve caught the muse, and the story comes hurtling forth, I carry a purse-sized notebook with me in the car, at restaurants, to parks – wherever my family is going – and I keep writing. I write between meals, reading stories to my kids, taking a shower, teaching a class; this works for me.
Jane Austin wrote amidst the chaos of family interaction too (er, not that I am comparing my writing prowess to Jane Austin, just my ideal setting.)
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Jane Austin’s writing desk at Chawton Cottage
One glance at that tiny chair and table and it’s easy to imagine a busy room of women, stitching, reading, laughing and plonking away at the piano. For many, the distractions would have made it impossible to concentrate.
But I’ve never been very good at total solitude.
The Pulitzer Prize nominated writer Francine du Plessix Gray wrote, "The whole thing about writing is how to be able to withstand solitude." For me, withstanding the solitude of writing is so much easier when not alone.
Still, every writer is unique. D.H. Lawrence preferred to write while sitting under a tree. Toni Morrison had to shell out cash for a hotel room to nurture her muse. The venerable Audrey Niffenegger enjoys the white noise of a chocolate scented, local café. And rumor has it that Gertrude Stein felt most creative in her car while Ben Franklin composed best in the bathtub.
When I poled the Swagger group, most said that they prefer a messy desk, surrounded by the items that comfort or vex them:
· A coffee cup, not cleaned for three days
· Pictures of their children for inspiration
· Poems, quotations or inspiring images on crumpled paper
· The books that made them want to be writers in the first place (both comforting and infuriating because they are the tantalizing holiest of grails for each individual writer.)
Kathy Weichman’s writing desk
Other writers need a ritual to get them started, slipping out of bed, brewing a fresh pot of coffee and eating a banana maybe.
And some rely on a time of day.
Simone de Beavoir claimed she got bored if she didn’t begin working right away each day. She then took a break for lunch and socializing, and would resume writing again at five pm.
The luckiest of writers had the money or resources available to create their own ideal spaces for writing.
George Bernard Shaw’s writing shed
Mark Twain’s writing structure
Linda Aldrich’s tree house
Roald Dahl’s writing shed
And then there are artists who celebrate creative spaces by creating art about creative space. A 2008, New York Times article features a mural by visual artist Elena Climent depicting the rooms of some of the most famous writers including Edith Wharton, Zora Neal Hurston and Washington Irving.
And true literary junkies, (who have a few thousand dollars burning holes through their golden pockets), can essentially stalk their hero’s creative spaces. One can take a trip to peer through the windows of Hemmingway’s Florida Spanish Colonial or cavort within the tiny rooms at Shakespeare’s childhood home.
If I had a ticket to England I would hijack my friend Barb and drag her to Greenway, a Georgian Mansion where Agatha Christie commissioned an architect to make sure she had, “…a big bath and a ledge because I like to eat apples.”
In the end I suppose it doesn’t matter where a writer writes as long as they are writing. The place, as fantastic, messy, quiet or chaotic as it may be, isn’t the point. Writing is about what is produced not where it was produced. And where a writer writes is as unique to each writer as their own ache to create. As Anne Lamott said,
We are a species that needs and wants to understand who we are. Sheep lice do not seem to share this longing, which is one reason why they write so little.
So write where you are, wherever that may be.
